Tuesday, June 25, 2013

HERO BLOG TOUR: THE KNIGHT IN SHINING ARMOR – AN ARCHETYPE HERO FOR THE AGES


  
Welcome to RWA/NYC's Hero Blog Tour.
This is the last stop on our tour.

Leave a comment today and you will be entered to win a copy
of Lis’IN THE ARMS OF THE ENEMY.



THE KNIGHT IN SHINING ARMOR – AN ARCHETYPE HERO FOR THE AGES
by Lisbeth Eng

There is something about “a man in uniform” that turns most women’s heads. Police officers, soldiers, sailors – we find them virile and appealing, at least that’s been my impression from a rather unscientific survey of females friends and relatives. As romance writers, we want our hero to be as attractive as possible, and we often costume him in a military uniform, the archetypal “Knight in Shining Armor.” I believe this is especially true in historical romance, since contemporary fiction is much more likely to reflect the mixed-gender armed forces and police units that exist in present day society.

I am an author of World War II fiction. Not only is it historical fiction, but the chances of finding a hero in uniform during that era are greater than in a peaceful period (if there have ever actually been any in the history of our planet). If you read the back cover blurb of my World War II romance, IN THE ARMS OF THE ENEMY, you will find that I mention one woman and two men. No, this is not a ménage à trois. The woman, Isabella Ricci, is the heroine; either of the men, Italian Resistance commander Massimo Baricelli or German army officer Günter Schumann, could be the hero. (You’ll have to read the book to find out which of the two it is.)

Men and women who served in World War II have been referred to as members of “The Greatest Generation” and we rightly honor those who served their country and fought against tyranny. My own father, for the most part a peaceful man, was proud of his service in World War II as part of the American Army’s presence in Asia. We continue to honor, even glorify, men and women in uniform as defenders of our freedom.

My World War II novel takes place in Europe, and the characters are almost exclusively Italians and Germans. The book opens in 1943 Italy, after Mussolini has been deposed, imprisoned and then rescued by German commandos. At that point, Hitler had Il Duce brought to Germany, and Mussolini agreed to set up a puppet Fascist state in northern Italy under German control. The Italian Resistance, originally composed of independent troops and eventually banded into larger brigades, fought against the Germans and their Fascist allies. As partisans or “irregular forces” (francs-tireurs) they were not protected by the rules of war in effect at that time, and were subject to immediate execution if captured.

Both potential heroes in my novel, the Italian partisan and the German officer, could be categorized as soldiers, though only one wears a uniform recognized under international treaties. Isabella Ricci, the heroine, can be viewed as a soldier, too. In fact, her commander refers to her as his “brave little warrior.” She is committed to the Resistance, but unlike other female partisans who took up arms against the enemy, some even commanding brigades, she uses her wiles to elicit military information from the Germans. The only uniform she wears is that of a domestic servant at German headquarters, where she secretly uncovers intelligence to use against the enemy.

At least three other 20th century romances published by The Wild Rose Press (this year’s RWA/NYC Publisher of the Year and also my publisher) feature heroes in uniform, and all take place either during, or just prior to World War II. American soldier Miles Coulson finds himself fighting for his life in Anzio, Italy in Christine Clemetson’s A DAUGHTER’S PROMISE. The hero of Janet Fogg’s SOLILOQUY, set in World War II France, is wounded British pilot Arick Ambrose. Rickard Sankt wears a German SS uniform in Jennifer Childers’ KINDERTRANSPORT, set in Germany on the eve of World War II. (If you’re wondering how a hero can wear an SS uniform, I suggest you read Ms. Childers’ wonderful book. You’ll be more than satisfied with the explanation!)

Throughout history, woman have worn uniforms and taken up arms in defense of their countries; it is not purely a modern phenomenon. Joan of Arc immediately comes to mind. But I have found in historical romance, it is most often the hero who wears the Shining Armor, as least figuratively.♥


An English major in college, Lisbeth Eng has also studied Italian, German and French. She has worked in the finance industry for over 25 years, and serves as Treasurer on RWA/NYC’s Board of Directors. Her first novel, IN THE ARMS OF THE ENEMY, is available in e-book and paperback at Amazon, B&N and The Wild Rose Press. Lisbeth invites you to visit her at www.lisbetheng.com.


********************

REMEMBER: Leave a comment here and you will be entered to win a copy of IN THE ARMS OF THE ENEMY. No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

Thank you for stopping by our Hero Blog Tour.

Please feel free to go back and re-read any of our Hero posts.
   To learn more about these romance authors, visit us at www.rwanyc.com.


Monday, June 24, 2013

HERO TOUR: WHAT A HERO ISN'T

 
Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win an copy of
HAVING IT ALL.


WHAT A HERO ISN'T
by John Lovelady


Having judged RWA/NYC's Kathryn Hayes' "We Need a Hero" Contest, I can tell you what a hero isn't.

He isn't the "nice guy," with "pleasant looks," and "good manners," who accompanied our heroine through an unexciting city in order to win her favor. He didn't win mine and I had severe reservations about his winning hers, but I only had twenty pages to judge the possibility.

Heroes are brash, exciting, devilishly handsome hunks, who usually need taming through the love of an equally brash, exciting, staggeringly beautiful heroine, who might need a little taming herself.

That's why we write romances instead of documentaries. A romance is an over-the-top, thrilling, confounding, funny and finally ecstatically happy-ever-after adventure that requires the hero(es) and heroine(s)—in case you're writing ménages—to be equally outstanding. And in case you're writing erotica, their level of sexuality and physical assets must be equally detailed and over-the-top, or under the sheets, as the case may be.

Sensuality in a romance must raise the readers' pulse, electrify the readers' senses, and clutch at the readers' heart. That's why it's fun to write. And to get paid for it is downright dark chocolaty.

But that's so unbelievable, you say. There should be at least a hint of reality to ground the story. Probably why vampires, werewolves, shape-shifters, paranormals, and kinky boots types are read so widely these days. And so loved.

Oh, and it doesn't hurt if your hero is filthy rich.

Okay, perhaps you think that's the pack of bills that breaks the believable romance's back, and it's true every romance hero needn't have every heroic imprimatur, but I wouldn't give it much thought.

Romance readers want their heroes to be handsome, hunky, daring, sexy, romantic and caring, and rich, so you're halfway there just by being a romance writer and presenting them with the possibility. Over-the-top heroes are expected. Chiseled pecs and dark romantic looks have graced the covers of romance novels since the genre began and will continue to do so even as stories are beamed directly into our skulls.

The most successful romance writers build their heroes slowly, tantalizingly, taking care to drop each building block carefully into place along the story route until we arrive with a fully loveable and committed hero at the end emblazoned heroically against a radiant sky.

He could very well begin as the "nice guy," but there had better be a hint of a smoldering sensibility or some other outstanding romantic characteristic that our heroine catches, that will reveal itself later, more than likely with her prodding. Had my "pleasant looking" young man had another exciting inclination, like an enthusiasm for being with his young lady, or the love of showing her the city of his dreams, there might have been the hope that outside the twenty un-heroic pages something singular and thrilling would eventually emerge.

Drop those heroic hints along the way, reveal those heroic characteristics that we romance readers hunger for and we will follow you to the final page, happily ever after, and into your next book.

Happy heroing!



TROY STORM has had his erotic romances published for over a decade, in over two hundred short stories, the latest in Cleis Press’ BEACH BUMS, edited b Neil Placky. Now he’s in his novel mode! Follow Troy on Facebook at facebook.com/troy.storm.184 and check out his Goodreads pages. http://www.goodreads.com/book/show/17799994-having-it-all.


 ********************


REMEMBER: Leave a comment here and you will be entered to win an e-copy of HAVING IT ALL.  No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.

 

Sunday, June 23, 2013

HERO TOUR: STEPPING ASIDE

  
Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a
$20 gift card from Barnes & Noble.



STEPPING ASIDE  
by Ursula Renée




I like a rich, handsome, courageous hero who goes out of his way to make the heroine feel special. He knows what she needs and tries his best to deliver. But, when a simple hug or a night out on the town is not enough to make things right, I prefer someone who realizes he does not always need to be the hero.

In a time of crisis, the hero should realize that it is not about him. He must be willing to push aside his need to prove himself and focus on those in trouble; even if it means admitting he is out of his league and he has to ask for help.

A hero does not feel like less of a man if he does not single-handedly save the day. He recognizes the value of teamwork. Instead of placing himself and others in danger because he does not have back up, he will wait for the cavalry to arrive.

Once help arrives, he will work with others to insure a positive outcome to the situation. If need be, he will step aside to let someone more qualified handle the situation, even if the expert is a woman.

In the long run, a true hero recognizes that a crisis is not the time or place to show off.♥


Ursula Renée is a Co-Vice President for RWA/NYC. She recently sold SWEET JAZZ, a historical romance, to The Wild Rose Press. When she is not writing, she enjoys photography, drawing and stone carving. Visit her at www.ursularenee.com.



********************




REMEMBER: Leave a comment here and you will be entered to win a $20 gift card to Barnes & Noble. No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.
 

Saturday, June 22, 2013

HERO TOUR: DAMAGED GOODS: The Enduring Appeal of the Tortured Hero


Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a $10 Amazon giftcard.

  
DAMAGED GOODS:  THE ENDURING APPEAL OF THE TORTURED HERO
by Elizabeth May
  


From Heathcliff and Mr. Rochester to Christian Grey and Gideon Cross, the tortured hero is one of the archetypes of the romance genre, and hands down one of my favorites to read and especially to write about. Tortured heroes have scars, haunting nightmares, rough exteriors hiding shadowy pasts, and, being the alpha men they are, generally don’t share what’s eating them.

To paraphrase Leslie Wainger in her book, WRITING THE ROMANCE NOVEL FOR DUMMIES, (an awesome reference, especially for newbies) the tortured hero is tormented emotionally from past conflicts which prevent him from forming emotional intimacy.* After all, romance is the most character driven genre, and for character dramas to work internal conflict is key. What greater obstacle to love is there than a hero who believes himself incapable of love?

But where is the sexy in all this darkness? What is the ongoing appeal of these tragic, tormented characters?

A few weeks ago, I was fortunate enough to hear Donald Maass’ presentation on character building at the Writers Digest Conference East. He talked about tortured heroes, which he referred to as “Dark Protagonists.”  According to Maass, the Dark Protagonist has to be actively searching for a way to redeem himself, a way to make himself more human or to improve his life in some way. Even if he’s not consciously aware of what he’s doing, or why he’s doing it.** Heroes don’t often see themselves as heroic, and the tortured hero is the prime example of this.

For example, in my RWA chapter contest winning novel, ETERNAL HUNGER, the hero Dylan MacRoyce is the would-be laird of a demised clan and a vampire. Five hundred years ago, Dylan’s wife betrayed their clan to his enemies, causing hundreds of lives to be lost and the entire clan to be destroyed. Dylan’s had centuries to curse the hand fate dealt him, but not nearly as much as he blames himself.

Now, it’s the year 1855, Victorian Scotland, a time of mass emigration and poverty among poor farmers and working classes. Although Dylan no longer has a clan to be laird of, he’s bought huge amounts of land and allows his tenants to live and work there almost for free. These are people who otherwise might starve or be forced to leave their homes. Without consciously realizing it, Dylan’s been trying to make amends to the clan he let down centuries ago.

But his real redemption comes when he meets Emily Iving. Emily is a forward-thinking, modern woman diagnosed with a terminal disease which she’s keeping secret. Emily is out to embrace life with an “I’ll-try-everything-twice” attitude, a stark contrast to Dylan who’s very much a product of the medieval era he was born in.

Despite their initial attraction, they manage to butt heads about everything. Emily’s a liberal thinker, literally living everyday like it was her last, while Dylan’s had centuries to grow bored and jaded with life.

Through knowing Emily, Dylan begins to see the world anew. He learns how to embrace each day for the precious and transitory miracle it is. By the end of the story, Dylan will be forced to rethink everything he’s ever known about the world and especially himself. When Emily’s life is threatened, he’ll make sacrifices he could never have imagined to save her.

To sum up, tortured heroes have an incredible staying power in our hearts and imaginations, but it’s the universal themes of redemption and the struggle for a better life, which give these characters such resonating, timeless appeal.

I encourage anyone reading this to comment and share their favorite tortured hero or heroine. What about this character’s journey moved you? Or better yet, tell us about a tortured hero you happen to be writing!♥


References:
* Leslie Wainger. WRITING THE ROMANCE NOVEL FOR DUMMIES. 2004.
** Donald Maass. CREATING THE GREATEST CHARACTERS OF YOUR CAREER. Writer’s Digest Conference East. Presentation, 2013.


Elizabeth May is a writer, freelance editor, and teacher. Her novel, ETERNAL HUNGER, recently won first place in the Paranormal category of the CTRWA’s The Write Stuff contest. She is actively seeking publication.


********************


REMEMBER: Leave a comment here and you will be entered to win an Amazon giftcard.  No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.
 

Friday, June 21, 2013

HERO TOUR: ALPHA IS AWESOME, BUT IS BETA BETTER?

    
Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a copy
of THE DEVIL'S DELILAH by Lorraine Heath.

 
  
ALPHA IS AWESOME, BUT IS BETA BETTER?
by Alyssa Cole


It is a truth universally acknowledged that romance readers love themselves an alpha male. I include myself in those legions that enjoy a hero with broad shoulders and a short temper. I'll take one of Eloisa James's tattooed pirates ordering his heroine around like she's his first mate. Give me a shifter, whether he be one of Nalini Singh's or Thea Harrison's, and I'm into the "scent and seduction" of the pack leader. Jennifer Ashley's maddening Lord Ian Mackenzie is delicious, and I'm even down with Christian Grey in all his tampon-yanking, GPS-tracking glory.

There's something pleasurable about a hero who doesn't take no for an answer and is uncompromising in his beliefs. Alphas, although they can be insufferable, can be quite awesome.

But what of the Beta male?

Should he always be overshadowed by his bossier brethren? Does a propensity to please make him any less of an inviting hero? 

I think not.

Many of my favorite heroes are not alpholes, but are more low-key and relatable. The Beta hero is one who seduces using his wits rather than his brawn. He may or may not have a dark past, abusive parents, and a broken heart, but he actively tries not to project his angst onto others. He is a caregiver, ready and willing to give the heroine what she needs, if only she will let him. But instead of forcing the heroine, the Beta male takes a different tack. He gets to know her, and tailors his actions to her specific desires. He thinks about what the outcomes of his actions will be, and tries to avoid confrontations that will be upsetting to her. Unlike his Alpha compatriots, he does not expect the heroine to react to and soothe his every mood swing; although, when his lady does cater to him it's a sweet relief to him.

The Beta male does not seek to dominate his heroine; he seeks to support her using every ounce of his intelligence and skill. He doesn't attempt to bend his woman to his every whim, but that doesn't mean that he is weak and biddable, or less possessive and protective of the woman that he would claim as his. It doesn't mean that the lovemaking in the books is boring, or that his overtures to woo the heroine are less profound. In fact, one of the best aspects of a Beta hero in romance is that when all is said and done, all of the seemingly low-key actions he has taken add up to something quite moving and overwhelming for both the heroine and the reader. There's something to be said for slow and steady versus the quick, passionate release of Alpha dominance.

Some of my favorite examples of Beta heroes are: Jack Langdon in THE DEVIL'S DELILAH, by Loretta Chase; Archimedes Fox in HEART OF STEEL and TETHERED, by Meljean Brook; Robert Blaisdell in THE DUCHESS WAR by Courtney Milan; and Alan Ryves in THE DEMON'S SURRENDER (The Demon's Lexicon Trilogy) by Sarah Rees Brennan.

Which do you prefer, Alpha or Beta, and why?♥



Alyssa Cole is a science editor by day and a romance writer whenever she can sneak in some writing. She can be found on twitter under the handle @AlyssaColeLit.


********************


REMEMBER: Leave a comment here and you will be entered to win a copy of THE DEVIL'S DELILAH. No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.
 

Thursday, June 20, 2013

HERO TOUR: WRITING THE ALPHA HERO


Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.
Leave a comment today and you can win a copy of  Lena Hart's novella, BECAUSE YOU LOVE ME.



WRITING THE ALPHA HERO   by Lena Hart



I love the alpha hero. I love their virility, their mental and physical strength, their take-charge attitude. I especially love the way they become overprotective and possessive for those they care about. But writing the alpha hero can be quite the challenge. No two alphas are created equal—they can be tough, gentle, tortured, or just plain badass—but they all possess the same qualities that make them swoon-worthy.

But, the line between dominant and domineering can be extremely fine when writing the alpha hero—something I struggle with when writing my own men. In order to avoid this, while still writing the quintessential alpha hero, I try to keep his core characteristics in mind.

Here are nine key traits that can make any alpha hero a keeper:

1. A natural leader. The alpha male lives life with a purpose. He provides direction and guidance when needed. He is authoritative without being overly aggressive. Though he allows others to share their opinions, he is looked upon to take control and make the right decisions.

2. Possess high morals and values. A true alpha hero is not abusive or arrogant. He is thoughtful and never looks down on others or mistreats those weaker then him. Trust an alpha to always pick the high ground, if not at the beginning, certainly by the end.

3. Always composed. Alpha males are usually calm, calculated, and controlled people. They do not allow themselves to be carried away by their emotions. It is their confidence and emotional control that demands respect from those around them.

4. Demonstrates physical strength. Most alpha men are physically fit. They exude the kind of physical strength that draws women to them for protection and safe keeping. Regular workouts are part of their regime but they do not allow their muscles to do their talking.

5. Problem Solver. The alpha hero has a keen mind. He can assess a situation and find the best logical solution. He is the best at what he does, and can overcome any obstacle and challenge, which further adds to his appeal.

6. Self-driven and self-disciplined. Once an alpha male decides on a goal, all his attention will be at achieving it. He will be persistent and focused in getting what he wants. He is his own man, makes his own rules, and follows his own path.

7. Rejects failure. The alpha hero will bounce back from his failure, learn from the experience, and move ahead with life. He is always testing his limits and, by doing this, he is constantly sharpening his skills as he continues to evolve and grow.

8. Not afraid of risks. Nothing holds alpha men back. They understand that to achieve the things they want in life, they have to take risks. They do their best to limit these risks, however, through proper research and planning, which allows them to seize opportunities as they come.

9. A born hunter. A true alpha male loves the chase. He does not act needy with any woman, but it takes a special kind of woman to impress him and attract his attention. And when he wants something, he goes after it.


Writing the alpha hero can be fun and exciting. He is comfortable with himself, the epitome of confidence and control, and does not let anything or anyone stand his way. He has a way of taking over the page and generating a strong, unforgettable story—as long as the writer allows them to be themselves.♥



Lena Hart is an author of sensual romances with several novellas and short stories published. When she is not writing happily ever afters’ for her alpha heroes and sexy heroines, she is most likely reading, researching, or conferring with her muse. To learn more about Lena and her work, visit www.LenaHartSite.com or find her rambling at www.scatblogging.blogspot.com.

********************



REMEMBER: Leave a comment here and you will be entered to win a copy of BECAUSE YOU LOVE ME.  No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.
 
 

Wednesday, June 19, 2013

HERO TOUR: WRITING THE MILITARY HERO

 
Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a "Taste of Blaze" --
A SEAL'S SEDUCTION and A SEAL'S SURRENDER
by Tawny Weber.


WRITING THE MILITARY HERO
by Sara Jane Stone



I have a confession. I’ve never served in the military, nor do I come from a military family. Yet, my debut novel, COMMAND PERFORMANCE, is about a professor writing a behind-the-scenes look at the Army Rangers' latest mission. Both my hero and heroine have made the military their lives’ work. So, where do my ideas come from? Research. I’m sure many other authors are in the same boat (though I know a number of my fellow Harlequin Blaze authors have served our country or are married to a soldier).

Years ago, I read a review in the New York Times Book Review for a nonfiction book titled HORSE SOLDIERS, which tells the story of a band of Special Forces soldiers who rode to war against the Taliban on horseback. These “cowboy soldiers” as Maggie, the heroine likes to call them (Chief Warrant Officer Hunter Cross, the hero, hates that label) seemingly combine two romance novel archetypes, the cowboy and the soldier. I simply had to write a story featuring a horse-soldier hero.

But, as I wrote, my characters—namely Hunter, my commitment-phobic soldier who lives for his job—took over and the research was relegated to the backseat. The inspiration was always there in my mind, but it wasn’t what drove the story. In fact, the mission my heroine wishes to learn more about is entirely fictional. I kept a number of the details, including the fact that the saddles were made out of goat hide stretched over boards, but apart from that, I told the story of a man and a woman falling for each other. Their jobs shape who they are as characters, but they don’t define them.

I’d love to hear from readers and writers. What are your favorite “types” of heroes? Is research a jumping off point for you or do you stick to the facts?

If you’d like to learn more about my debut COMMAND PERFORMANCE and my journey down the road to publication, please find me on Facebook at https://www.facebook.com/SaraJaneStone or visit www.sarajanestone.com. The book will be on sale in October 2013, but is available for pre-order now!♥




After several years on the other side of the publishing industry, Sara Jane Stone bid goodbye to her sales career to pursue her dream—writing romance novels. Armed with a firm belief that dreams do come true, she sat down at her keyboard to write fun, sexy stories like the ones she loved to read. Sara Jane currently resides in Brooklyn, New York with her very supportive real-life hero, two lively young children and a lazy Burmese cat. Visit her online at www.sarajanestone.com, or become a fan of Sara Jane Stone on Facebook, or follow her on Twitter: sarajanestone.


********************



REMEMBER: Leave a comment here and you will be entered to win two books by Tawny Weber, for a "Taste of Blaze."  No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.


Tuesday, June 18, 2013

HERO TOUR: THE HERO NEXT DOOR


Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.
Leave a comment today and you can win an e-copy of SAVE THE DATE.



THE HERO NEXT DOOR
by Kate McMurray



Reviews of my early books praised me for writing about “regular guy” characters. This wasn’t something I originally set out to do, but it’s true that I like to write about characters similar to me, who lead fairly ordinary lives but somehow stumble into extraordinary romances. These are the best sorts of heroes, if you ask me, because they could really exist. Your best friend or your neighbor or the guy at the diner who serves you coffee on your way to work, all of these guys have heroic potential.

My latest book, SAVE THE DATE, draws from my real life more than anything else I’ve ever written. See, it started when I received an invitation to my ex’s wedding. I made a joke on Twitter that, if my life were a romance novel, I’d meet the love of my life at that wedding. One of my friends replied that I should write that book. So that’s what happened: I didn’t go to the wedding, but I did write a goofy romantic comedy about a guy who gets an invitation to his ex’s wedding. It’s kind of an homage to, like, every Julia Roberts movie you’ve ever seen. And who is she but the ultimate girl next door, right?

Normally, I’d advise against drawing so much from real life, but in this case, the characters are different enough that it’s really only the premise I’m adapting from my own life. (If anything, there’s more of me in the character of the ex than there is in the hero.) But I do think it’s a useful exercise to think about people you know and how you can adapt their quirks into characters.

For example, SAVE THE DATE’s hero, Tristan, defies stereotypes. He’s an out gay man with a flair for fashion and a penchant for the dramatic, but he’s also a rabid sports fan, football in particular. He’s not based on anyone in particular, but he shares characteristics with a few of guys I know. His love interest is an athlete as well as a quiet, unassuming math teacher. He’s a “regular guy,” in other words; he’s not an actor or a duke or a rock star.

I mean, sure, its fun to imagine getting whisked away to a far off locale with a handsome prince, but I think it feels closer to home to read a romance about a guy who could live down the block. There’s something comforting about that. Don’t underestimate the power of the boy-next-door hero!♥



Kate McMurray picked up her first romance novel when she was thirteen and has loved the genre ever since. She started writing gay romance after reading a book and thinking there should be more love stories with gay characters. Her first published novel, IN HOT PURSUIT, came out in February 2010, and she’s been writing feverishly ever since. She likes stories that are brainy, funny, and of course sexy, with regular guy characters and urban sensibilities. When she’s not writing, Kate works a nonfiction editor. She also reads a lot, plays the violin, knits and crochets, and drools over expensive handbags. She’s maybe a tiny bit obsessed with baseball. She lives in Brooklyn, NY, with a pesky cat.



********************




REMEMBER: Leave a comment here and you will be entered to win a copy of SAVE THE DATE.  No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.






  

Monday, June 17, 2013

HERO TOUR: GIVE ME A GOOD (K)NIGHT!

 
Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a copy
of KNIGHT OF RUNES.



GIVE ME A GOOD (K)NIGHT!
by Ruth A. Casie


Some people think Regency men are the ultimate romance hero. I agree Regency men look good, exist in a world filled with titles, and appear to live a life of leisure. I enjoy Austen’s Mr. Darcy and Col Brandon and Georgette Heyer’s Robert Beaumaris, but for me Regency men are all too tame. Let me give you my top three reasons why medieval men are my knights in shining armor:


1. Appearance


Some enjoy the breeches, shiny boots, tight coats and acres of snowy white linen. I love the shirtless look of a well-defined chest and ripped abs. It speaks protection and comfort. These are cerebral, strong, take control men who get down and dirty with the villain. They take on the physical challenge and fight for honor, for duty, for family, for love, and in the end, show their emotional side.



2. Ascendance

Knights were members of the noble class. Likely candidates were chosen at boyhood and trained. A lesser or unlikely man could aspire to knighthood and reach his dreams, if he was found worthy. A knight’s code of conduct and chivalry, “Protect the weak, defenseless, helpless, and fight for the general welfare of all,” inspired literature and was the foundation of courtship from middle ages until the turn of this century. I may be showing my age, but it’s that chivalry that makes my heart skip a beat. I know, I’m an independent woman, but for me the emotions evoked by romance are deep and sincere. Yes, I can take care of myself, but I would rather have a partner, someone strong, by my side and do it together.


3. Adventure

Knighthood comes with its requirements: save the damsel in distress, right the wrongs, and do away with the villain. Of course, there were trials he had to go through to prove himself worthy. Usually, he somehow loses his shirt and gives the damsel a glimpse of those perfect pecs and adorable abs.



Knights not only had to prove themselves worthy on the field of battle (for their king, their damsel or even for himself), but also had to learn how to balance the command and control needed to succeed with his own wants and desires. It's a central lesson of many romances. We love to witness the emotional and physical struggle, and fall in love with the heroes along the way.

Bonus. My all-time favorite romance is KNIGHT IN SHINING AMOR by Jude Deveraux.  I have many favorite books but I think this one has my heart not only for Nicholas’ chivalry and strength of character, but it’s a time travel.

What do you think? Regency men or medieval nnights? Or something entirely different?♥



Ruth A. Casie has always had stories in her head. Encouraged by family and friends this ballroom dancing, Sudoku playing, aspiring gourmet has given way to her inner muse writing historical fantasy. Now, rather than write marketing and communications for corporate America, she writes historical fantasies about strong men and empowered women and how they cope with unexpected challenges. She hopes her stories become your favorite adventures. For more information, please visit www.RuthACasie.com.


BOOKS BY RUTH A. CASIE


THE GUARDIAN'S WITCH
Carina Press, July 2013



KNIGHT OF RUNES
Carina Press, 2011
  


********************



REMEMBER: Leave a comment here and you will be entered to win a copy of KNIGHT OF RUNES. No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.
 

Sunday, June 16, 2013

HERO TOUR: WHAT'S A HERO?

 
HAPPY FATHER'S DAY!
Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a copy of Jean's NOW AND FOREVER.
 

WHAT’S A HERO?
By Jean Joachim



When crafting a hero in a romance book, I call on my own desire, what kind of hero would I like to read about? The character comes to me rough and I sand him down, smooth out his edges, as the image of my ideal hero gets blended with who this guy needs to be for the story.

As a romance writer, I’d say a hero is superhuman with a few human imperfections thrown in to keep him almost real. A hero must be protective of his lady. Who wants to read about a wimpy guy who lets the world run roughshod over his woman? Sure as heck not me! A hero doesn’t have to be gorgeous, but being handsome never hurts. While he doesn’t have to be tall, he should be taller than the heroine…and smart! All my heroines love brainy men…and so do I!

I love a man with a sense of humor, so I try to make my heroes funny and able to laugh at themselves, at least occasionally. My hero must be a man who listens to the heroine, though I know this is a great challenge for flesh and blood men. If the hero isn’t listening to the heroine, then I’m closing the book.

A thoughtful gift from the hero, not necessarily something expensive, endears him to me. When my hero, Quinn Roberts, from RED CARPET ROMANCE, gives Susanna a basketball because she’s good at it and doesn’t have one, he’s carved out a special place in my heart.

A touch of jealousy, like a pinch of clove in a good recipe, makes the hero real to me. If he doesn’t care enough to be jealous, then he’s lost me. On the other hand, if he’s so jealous he gets easily enraged, he scares me and again, I close the book.

When it comes to sex, it gets a tricky. My hero must be an experienced lover, but not a man-whore. If he’s sleeping with every woman who walks by his cave, then I’m not interested. So where does he get all his experience? From women he knew before he met my heroine. He must be a lover who’s tuned in to her responses, paying attention and remembering what turns her on. If he was once a womanizer, he must give that up once he falls for my heroine. Can’t have her overwhelmed by jealousy or coming down with STD, either!

And he must have foibles, make mistakes, screw up from time to time. He can’t be doing everything perfectly 24/7. If he is, my heroine is going to feel he doesn’t need her and hate him for being so much better than she. Imperfections make him more loveable.

Crafting heroes tests a writer. Knowing how perfect to make him, how imperfect to make him is challenging. Blending your ideas with your character’s persona reminds me of mixing the perfect Cosmopolitan. In either case, the end result is thrilling.♥



Jean Joachim is the author of numerous books, including SUNNY DAYS, MOONLIT NIGHTS; NOW AND FOREVER; and THE MARRIAGE LIST. Her latest book, MEMORIES OF LOVE, is part of her Hollywood Hearts series. To learn more about Jean, visit her website www.jeanjoachimbooks.com or her blog at http://jeanjoachim.blogspot.com. Friend her and follow her at https://www.facebook.com/pages/Jean-Joachim-Author/221092234568929?ref=ts&fref=ts and @jeanjoachim.



********************



REMEMBER: Leave a comment here and you will be entered to win a copy of NOW AND FOREVER. No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.





Saturday, June 15, 2013

HERO TOUR: TOO MUCH OF A GOOD THING CAN BE WONDERFUL

   Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a copy THE STORY OF O.
 
TOO MUCH OF A GOOD THING CAN BE WONDERFUL
The Stellato Siblings Series -- The Men
by Lise Horton


   “I wish I could, but I’ve got my book group tonight.”
   His sigh was exaggerated against the backdrop of site noise. “Can I at least hope it’s a dirty book group so you’ll have some steaming-hot ideas of nasty things to do to my body when we finally can connect in the flesh?”
    “Well, PRIDE AND PREJUDICE does seethe with an undercurrent of restrained Edwardian lust.”
    “I’m guessing that’s a no for a fictional fornication smorgasbord?”
   Her giggling made the department secretary, Alice Keyes, look up with a smirk. “You certainly do have a way with words.”
   “Just call me the Shakespeare of smut, Professor. Okay. Have fun and I’ll call you after and warm you up. It’s chilly today.”
   “A dose of Nick is far superior to hot cocoa. I’ll be home by eleven. Have a safe day.”
   “Think of me naked.”
   “Always.”
   “I have got to get me one of those,” Alice muttered in a stage whisper, as she fanned herself with a departmental budget report.
   As she was feeling expansive, she took pity on the girl. “It just so happens Nick has two big, bold brothers who are currently unattached. What’s your preference? Handsome security specialist with a rather immature but appealing personali-ty? Or a hunky fireman with a similarly immature bent?”
   “Can I have both?”
   “Stellatos are best in small doses, Alice. I’ve learned it’s possible to have too much of a good thing.”
   “Too much of a good thing could be wonderful.”

My debut novel, WORDS OF LUST, is the story of eldest Stellato brother, Niccolo. Nick is the first to find true love but he won’t be the last. His brothers Vincenzo and Alberto, books 2 and 3 in my series, all meet the naughty women of their dreams.

Though the Stellato sisters each get a story, too, I’m finding it wonderfully easy writing the three brothers’ torrid tales. Crafting dark, tormented heroes with flaws, failings, and over-protective instincts is what I call a good time.

Take Nick:  “I know you can take care of yourself, but I’m just hardwired to be protective of women. It’s what my pop does, it’s what my brothers do. It’s a genetic mutation, I guess.”

He’s apologizing to Serafina for going all Neanderthal. In WORDS OF LUST, it is Nick, however, who comes to grip first—with his own issues, and hers, and works to fight for her and overcome them. I’ve got my multi-layered hero really going the distance to make the relationship work. He fights for her life, and he fights for her love.

In Book 2, HOT IN THE CITY, Alberto meets Alice, and despite his stereotypical "goombah" behavior in Nick’s story, all of his in-stincts are to watch over her, protect her and her Down’s Syndrome son Graham, and yes, love her to pieces. Again, it is Alice who resists. She fights the attraction, fights the desire, all while fighting her own fears of having to face life and all of its hardships on her own. She’s never known a true, loving man in her life: Her father abandoned her and Graham’s father took off when he found out his child wouldn’t be perfect. Despite Berto’s sometimes immature sense of humor and his bachelor lifestyle, he’s a solid man when it really counts. He, too, has a secret that has made him wary of women. He is dyslexic and Alice is a brilliant student whose apartment is filled with books. Girls made fun of Berto in high school and he’s vowed never to let another woman get so close. But, like Nick, when he meets Alice, his love makes exposing his secret easy. He divulges that secret to prove to her that he isn’t like the other men in her world. He can be trusted. And he can be the man who stands by her side to face what life has to offer, including the care of her son. And it takes every trick in his macho arsenal to get her to accept this truth.

Book 3, LIGHT MY FIRE, is middle brother Vincenzo’s story of hot lust and a wild woman. Vincenzo’s an FDNY calendar hunk. He’s lived through 9/11. And, he’s sworn off any kind of relationship beyond a simple wham bam thank you ma’am, because he loves his job, and his loyalty to his fellow firefighters is unwavering. Women want his bod, but they don’t want to make a commit-ment to a man who puts his life on the line every day. He’s bitterly watched his eldest brother meet the love of his life, and his younger brother get a family of his own. Vin doesn’t hold out hope for himself, but when he meets Nell Davis he finds someone who forces him to compromise, to make the romance work. Again, he’s the tormented guy. And again, he ends up being the char-acter willing to explore his own psyche, lay his emotions bare, and fight for the love he never thought he’d find. Nell is a stunning actress; her life is worlds away from Vin’s life of smoke and heroism. His quiet courage makes her feel as though her career is frivolous. It’s up to Vin to prove she is the balm that heals his soul, and that love is worth the risk of putting your heart on the line when the man who loves you puts his life on the line.

I’m so excited to see how the next two stories turn out. Because getting my heroes to step up and be the sensible romantics is taking them way out of their collective comfort zone and forcing them to face their fears. But the risks win them great rewards: The loves of their lives.♥


Lise Horton’s debut novel, book 1 of the Stellato Siblings Series, WORDS OF LUST, is available on September 9, 2013, from Carina Press. Get more details on Twitter @Lisekimhorton, Facebook, Pinterest, her blog, http://lisehorton.blogspot.com or her website, www.lisehorton.com.



REMEMBER: Leave a comment here and you will be entered to win a copy of
THE STORY OF O. No purchase necessary. Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.





Friday, June 14, 2013

HERO TOUR: THE ROMANCE HERO DEFINED


Welcome to RWA/NYC's Hero Blog Tour.
Join us every day from June 14-25 for a new look at Heroes.

Leave a comment today and you can win a copy of Mageela's
THE MARRIAGE ALLIANCE.



THE ROMANCE HERO DEFINED
by Mageela Troche


Regency Rake
The Regency Rake: A finely dressed gentleman hiding his inner bad boy and seeking reformation. Every woman wants to reform this man and make him respectable. He can be worth all the hard work and anguish, but only if you are the right woman.



Highlander


The Highlander: A strong man who values his family. He will protect his clan and has an honor code he will die upholding. Looks great in a kilt.


The Sports Hero: The guy seems to have it all. In truth, he needs someone to make having it all worth it all.


Cowboy
The Cowboy: The strong silent type who will be at your side. A gentleman beneath the rough work hands, and can sweep you onto a horse and ride off into the sunset.




Soldier

The Solider: The brave man with a strong belief system and a tender heart beneath the kill-you-with-his-bare-hands exterior. War may have traumatized him but he signed up to protect his nation not for the honors. Looks yummy in a uniform.


Boy Next Door

The Boy Next Door: The guy you never spare a look at. He is the man who has been there through the jerks you date. Fires may build slowly, but will burn the longest. 



The Friend: A guy you shared jokes and maybe drinks. You have set him up with all your friends. Then one day, something changed and the world looks new again. Tread lightly—you may lose a good friendship if not right, so make your coupling the right one.


The Ex-boyfriend: The one you dated, but never left your heart. This hero can disrupt your life, but if the right man, he can give you Happily-Ever-After. Only return if changes to the problems have been fixed; otherwise, you are wasting your time. So, heroine make him change.


The Defender: The police officer, the fireman, and the other civil servants. Can be closed off because of the evils he has witness and has a protective instinct. Heroines, show him your strength and he’ll respect you in the morning, and let you behind his shield.


LEAVE A COMMENT.  Let us know your favorite Hero.♥



Mageela Troche is the author of THE MARRIAGE ALLIANCE, a Highland Romance. She can be found at www.facebook.com/MageelaTroche or at her website www.MageelaTroche.com. She is currently writing or, as known to other writers, staring at a blank screen.

THE MARRIAGE ALLIANCE
Secret Cravings Publishing


********************

REMEMBER:  Leave a comment here and you will be entered to win an e-copy of THE MARRIAGE ALLIANCE.   No purchase necessary.  Winners limited to the continental U.S.

Winners announced daily on "front page" of RWA/NYC Blog.

 
JOIN US AGAIN TOMORROW FOR ANOTHER HERO AND
ANOTHER CHANCE TO WIN A PRIZE.
  


Monday, June 10, 2013

CRAFT CORNER: IT’S ALL IN THE DETAILS


by Isabo Kelly



One of the problems with eyewitness testimony is that no two people see the exact same things when observing the same event. Often their own memories fool them and alter their recounting of what they see. But even if their memories are accurate, no two individuals will notice the same things. Sifting through all that information might be tough on those trying to solve crimes but recognizing this aspect of human perception is important for the writer. Why? Because it highlights both the importance and unique nature of details in your story.

As the writer, you will have to sort through all the possible details you might include in your fiction and then select the specific ones that are most important. Without this selective process, a writer risks going overboard with descriptions—not every sin-gle detail needs to be included in a given story. But there are specific things you want the reader to know, little details that reveal character, foreshadow a plot point, or paint a full picture of the setting. It's these choices that make each author's story unique and interesting.

All these details will be filtered through your main POV characters. Just like the eyewitnesses, your POV characters are the witnesses of the story, and the things they notice are going to be specific to them. While your heroine might notice the fluffy little dog trotting ahead of its owner through the park, your hero might notice not just the breed of the dog but the color of its leash and the clothing worn by the man walking the dog.

The difference in what each character pays attention to will result from the type of character they are, and will determine the information you can pass on to the reader. Additionally, each character will bring their own perceptions to those details. To the heroine, that little dog is a dangerous, drooling, vicious little fluff ball because she was bitten by a small dog just the year before. To the hero who happens to love dogs, the same animal is cute and cuddly with a lolling tongue and happy bark. The two people are looking at the exact same dog, but the details they use to describe the animal will be filtered through their experiences and perceptions.

All the details in a story written in deep POV should come across this way. Individual characters will bring their own distinct observations to what appears on the page. And what they notice and take note of will be the only details your readers can "see". So if your story requires the revelation of a specific detail, make sure at least one of your characters would notice that detail!

For example, your heroine didn't bother to notice the shoes of the dog walker be-cause she was too busy jumping away from the yippy little mutt. But the hero did notice the other man's shoes. And if the fact that the man had red mud on his shoes is important later in the book, and you want readers to see this detail at this moment in the story, the scene needs to be written in the hero’s POV.

The importance and significance of details suffuses every aspect of a work of fiction. The details that make up a story will be unique to the writer, unique to each character, and the best way of conveying the story in a writer's head to her readers. Pay attention to the details you use to bring your fiction to life.♥



Isabo Kelly spends a lot of time considering what details to put on the page in her science fiction, fantasy and paranormal romances. She would also like to thank her dog for inspiring the topic of this article. For more on Isabo and her books, visit her at www.isabokelly.com, follow her on Twitter @IsaboKelly or friend her on Facebook www.facebook.com/IsaboKelly.

Wednesday, June 5, 2013

EVALUATING YOUR MANUSCRIPT

by Ursula Renée


After years of researching, plotting, writing and editing, you have produced the next bestseller that people will talk about for years. Eager to see your work in print, you mail copies of your manuscript to various publishers. However, after months of waiting, instead of a contract, you receive letters stating that your manuscript does not fit their needs.

As you toss the rejections letters into the fireplace, you wonder how could your manuscript not fit their needs? They are publishers, publishers need books and that’s what you sent them.

Unfortunately, the publishing industry is not that simple. It is the rare publisher who accepts anything and everything. Most focus on a handful of genres and have limits to the content that they willing to publish. Therefore, before you start looking for a publisher; you need to take a closer look at what you have written.

As you learned in school, books can be categorized as either fiction or non-fiction. Each category has various genres and each genre has numerous sub-genres. A romance, for example, can be classified as a contemporary, suspense, paranormal, historical, western, Regency, etc.

Even though a publisher accepts manuscripts in a particular genre, it does not mean they cover every sub-genre in that category. Just as you have your likes and dislikes, those who acquire books also have their preferences and it is not always in the author’s best interest if she submits a paranormal romance to someone who only enjoys reading romantic thrillers.

Besides the genre, content needs to be taken into consideration. Rate your novel as if you were rating a movie, paying close attention to heat level, the language, and the amount of violence. Since romances can range from sweet (the bedroom door remains closed to the reader) to sizzling (the reader is in the bed with the characters and interaction is spelled out in detail) to erotica (which tends to be edgier and can include BDSM, ménages, toys and much more). You want to make sure you do not offend an editor who prefers milder material or bore one who prefers a bit more excitement in her books. Also, while one house may publish novels with harsh language and gory scenes, another may only deal with stories in which the language does not get stronger than ―golly gee‖ and the body count is kept to a minimum.

Other factors you will need to consider are the word count, your target audience, and the format in which you would like to see your book. Once you have determined what you have to offer, you will be ready to begin your search for a publisher.♥


Ursula Renée is a Co-Vice President for RWA/NYC. She recently sold SWEET JAZZ, a historical romance, to The Wild Rose Press. When she is not writing, she enjoys photography, drawing and stone carving. Visit her at www.ursularenee.com.


----------------------------------------

Join Ursula on June 23 for her stop on RWA/NYC's Hero Blog Tour.  Comment then to win a daily prize.


Saturday, June 1, 2013

A TRIBUTE TO HEROES AND FATHERS

by Maria C. Ferrer



Atticus Finch and Scout
When we think about heroes, we think about tough soldiers, cute cowboys, knights in shining armor, Regency lords, sexy detectives. We think about strong arms, sexy bodies, great loving. But all of these images are of heroes that are… single.


What about heroes that are fathers?

I started thinking of some famous Dads in literature, television and the cinema, and how they too have something to offer the heroine. In fact, I would say they have a little something extra, which is why I love to re-read their books and re-watch the films and sitcoms.

Here are some noteworthy Heroes and Fathers that should not be forgotten:

Atticus Finch from TO KILL A MOCKING BIRD – the epitome of honor and valor. He is the quintessential single dad.

Rhett Butler and his Bonnie Blue
Brett Butler in GONE WITH THE WIND – true, he was only a father for eight short years, but he was a doting and caring father to his Bonnie Blue.

Mr. Bennett from PRIDE AND PREJUDICE – not good at managing money, but he did love his five daughters.

Arthur Weasley from the HARRY POTTER series – his love for
Arthur Weasley
adventure was catching, and he always had a spot at his table for a lonely orphan.

Carlisle Cullen from the TWILIGHT series – his love for humanity was always evident.

Frank Beardsley from “Yours, Mine and Ours” (film) – definitely Father of the Year with 18 kids! His wife had eight; he had ten. He was the picture of patience, tolerance, and sanity. And believe it or not, this film was based on an actual family!

Mike Brady from “The Brady Bunch” (TV) – he made fatherhood look easy, even when three girls joined his family of three boys. Talk about battle of the sexes!

Heathcliff and Theo
Dr. Heathcliff Huxtable from “The Cosby Show” (TV) – first African-American Family of TV; his fatherly advice was witty, funny and on-point.

Dan Conners from “Roseanne” (TV) – he was an average Joe with a big family, with real problems, but always very supportive of wife, kids and even wacky in-laws.

Mr. & Mrs. George Lopez
George Lopez from “George Lopez” (TV) – parenting with a Latino flavor; Papi’s love of family was the whole show.

Richard Castle from “Castle” (TV) – he may be a big child himself, but he refused to hire a nanny and raised his daughter singlehandedly, to be a bright, well-grounded young lady.


Mustafa and Simba

Mustafa from “The Lion King” (Disney film) – indulgent but strict; He taught his cub how to be a man, as well as a King.


I’m sure you can think of a few more Dads from books, TV or the cinema. What do they all have in common? What “something extra” do these fathers bring to their union? I believe it’s a ready-made commitment, an instant loyalty to their family. They are in a different stage of “development” from single men. They are lovers and fathers. They can woo their mate, as well as cuddle their child, and often simultaneously.

And I don’t know about you, but the sight of a tough rugged warrior gently braiding his daughter’s hair or a Regency lord teaching his son to ride or a modern father playing catch with his kids gives me a warm fuzzy feeling. Looking at their love for their child makes me fall in love with the hero all over again. And isn’t that what we all want in a romance? We want a strong man, a wonderful lover and a great father that we can spend the rest of our lives with. These men are all that – Heroes and Fathers!

Happy Father’s Day.♥



Maria Ferrer is President of RWA/NYC. She writes contemporary romances under her real name and erotica under the pen name of Del Carmen. Maria has been published by Cleis Press and Ravenous Romance, as well as Star, Penthouse and Cosmopolitan for Latinas magazines. Visit her at www.mydelcarmen.com and www.marializaferrer.blogspot.com.


***THE RWA/NYC's HERO BLOG TOUR.***
Join us June 14-24 for a new Hero every day
and Daily Giveaways!